The last part has been the designing of the corner segments, as the consensus was that the layout could be tweaked from the original. This is an homage to the original, not an exact reproduction. TQS is being designed to be knit centre first, then knit in the round outwards from the centre for the borders, with an edging knit on at the end, so modifications had to be made to little bits so they could be worked from the 'other direction'.
Traditionally, it would have been knit from the outside in. A quarter of the edging would be knit. Stitches picked up along the length would then form the base for a border, with decreases at each end, knitting towards the centre, and then the centre knit. Each of the 3 remaining edging/borders would be knit separately then sewn or grafted to the centre.
So it means the tradition continues. New pieces knit using the collective 'remembrance' of shawls past. I can't even conceive of tackling something like this without computers and graphs. The Museum has very few records of knitting patterns as such. Your actual Shetland knitter probably worked vastly complicated designs from memory or feeling. We should be humbled by their expertise. And grateful. That they made these beautiful things, and that they have been saved by generations to inspire us, so long after the originals were made.
I can't work out how to paste an actual copy of the Museum's photograph but here is the Shetland Museum gallery link showing original photographed by Magnus Sutherland, from the family of knitters who made it. The Museum has a wonderful gallery of images of shawls and photographs which is a fantastic resource. There is a photograph of the Lerwick string band, which shows Our Magnus. What a delight to put a face to the name.
We all want to go there to view the archive in person. I wonder how many beds are available? So there has been joking about a group excursion. For some of us, it would mean a longer trek than for others of course, but the very idea is delightful.
There is to be a conference in Lerwick next year, on knitting traditions. The Museum has suggested the group should prepare a paper for submission, as one of the themes is evolution of knitting. It would be wonderful if it were accepted, but just the invitation to submit is pleasing. The moderator of the H-K group, fleegle, has been doing a superb job co-ordinating and preparing the draft of the pattern, background and general information, for distribution, free, via Ravelry and hopefully also the Museum website. I think the woman never sleeps. Within the group, there are people with a whole range of expertise to bring to ensure this is a success. It's been a pleasure to get to know them.
IN THE LOOP 2
Knitting: origins and evolution
A four day international conference
SHETLAND MUSEUM & ARCHIVES
Lerwick, Shetland
1-4 September 2010
So here's my output from the last couple of days. A test swatch of the inner corner.
We are using 1.75mm needles, and Gossamer Web's Phoenix (merino, cashmere, silk) 52/2 thread for the samples, but as I knit fairly tightly (all that mini knitting I guess), I would use a larger needle for the final shawl. Others have said they may go finer. It will be interesting to see the range of 'looks' achieved when we all finish. Which of course we will. Won't we?
p.s. The Phoenix is a delight to knit with. The silk component has saved my bacon on a couple of occasions when a bit of undue tension on the working thread might have seen a pure merino yarn snap.


